1/15/2024 0 Comments Instal the new Amadeus Pro![]() The main Philharmonie de Paris rehearsal room hosts not only public orchestra rehearsals, but also pre-concert events, conferences and chamber music/amplified music concerts. Having acoustics and electro-acoustics match up is a basic premise of the manufacturer’s design philosophy when designing and outfitting spaces dedicated to creation, mixing, mastering, postproduction or dubbing, or just high-level listening, among other tasks. The first two ideas suggested by Jean Nouvel were key: a pedestal that furthers the shape of the speaker, creating a monolithic sonic ensemble housing all the electronics, and building the speaker out of thin wood veneers, glued and carefully aligned.” ![]() “We subsequently asked the team of Ateliers Jean Nouvel to work on the system’s aesthetics in order to find the best way to bring out the basic speaker aesthetics, as well as create the associated pedestal. “The distinctive construction technique of Philharmonia helps neutralise standing waves affecting sonic clarity and low-frequency definition, through an extremely complex internal structure using a combination of interlocking panels arranged in two perpendicular planes, each hosting several tuned notch resonators” “The new speakers immediately showed the distinguished the intrinsic characteristics of the greatest monitoring systems: timbral transparency, extended bandwidth, perfect impulse response, wide and accurate stereo image, outstanding layering of sound planes – all crowned by remarkable dynamics,” Michel elaborates. An advanced version of the Philharmonia speakers were submitted in 2014 to the Philharmonie de Paris future users for comparative listening tests. The curved shape of Philharmonia, ending with this unique hybrid, laminated port machined in wood, originates in his findings. At that time, I was beginning my experimentations with hybrid acoustic loads, based on mass-spring-mass systems. “The new speakers’ genesis actually dates back to 2005. “The collaboration with Jean Nouvel on the ‘Philharmonia’ project started after the main process of electroacoustical development started,” he continues. “The custom-made and standard equipment we developed, built and installed in the various spaces inside the Philharmonie de Paris (including the large rehearsal space, education and musical initiation rooms, music exhibition room, surround sound studios and grand symphonic hall) were submitted to competitive bidding following regular public market procedures.”Īmadeus was approved after comparative listening tests by users, administrators, scenographers and other decision-makers within the Philharmonie de Paris. “Our collaboration with the Philharmonie de Paris began in 2011 with the development of 14 customised point source speakers for the acoustical canopy of the Symphonic Hall,” Michel tells CIE. ![]() Having already created the custom ‘Philharmonia’ speakers specifically for the install, Amadeus recently installed detailed acoustical treatment and monitoring systems into the Paris concert hall studios, managed by acoustician Michel Deluc, co-founder and R&D manager for Amadeus brands.Īmadeus Labs collaborated with the studio’s sound engineers on the project, while continuing to work alongside Jean Nouvel, the Philharmonie de Paris’ very own architect and designer.īuilt to immortalise the performances of the world’s most prestigious symphonic orchestras, the Philharmonie de Paris mixing and mastering studios required a monitoring system of upmost transparency, placed in the highest-level optimised acoustic spaces. Commercial Integrator Europe interviews Michel Deluc, director of research and development at Amadeus, who opens up about the recent custom install for the prestigious Philharmonie de Paris concert hall’s studios, using tailor-made Amadeus loudspeakersĪmadeus has announced the completion of an impressive install and acoustical design project for the Philharmonie de Paris concert hall studios.
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